| Sexual Fables |
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This article accompanies the fable The legend of Tristan and Yseult (or Isolde) was extremely popular among pre-Raphaelite painters such as Edmund Leighton who tackled the subject in 1907 (below). Tristan's harp is a key part of the story - it is what first entrances Yseult and enables them to fall in love - although they don't know it. As Joseph Campbell put it, the legend dramatizes a conflict between love and marriage, in an era when aristocratic families were forced into arranged marriages that had little to do with love.
For other related paintings and links, see: Wagner opera Tristan and Isolde |
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