This article accompanies the fable
Wordsworth's "splendour in the grass" echoes through the years in Andrew Wyeth's evocative Christina's World (1948) and - equally - in the supremely depressing Elia Kazan film Splendor in the Grass (1961).
The story of the woman in Wyeth's painting, Christina Olson, who suffered from polio, is interesting in itself but the mythic qualities of the painting matter more. Wyeth has captured the Romantic vision of quiet repose and endless vistas that were so important to Wordsworth in the Ode: Intimations on Immortality, as well as to subsequent writers such as the Brontës, whose landscapes reflected emotional states - think of Wuthering Heights and perhaps The Tenant of Wildfell Hall and Jane Eyre - but Wyeth has given it a uniquely American flavor. Aspiration is conveyed in Christina's body movement, which draws the eye toward the old house and then on to the horizon beyond. There is an airy optimism here that might not be found in an English painting. It is in the Museum of Modern Art in New York.
Photo: Tim Green